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If you want to learn more about Camtasia Studio 8 and how to use it effectively, you can check out the official tutorials from TechSmith. It also requires DirectX 9 or later and a dedicated graphics card for better performance. It requires a minimum of 2 GB of RAM, 2 GHz of CPU speed, and 2 GB of hard disk space.
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It is open to OUWB’s students, faculty, and staff. The initiative centers on a list of people with connections to OUWB who have signed up to publicly show support for the community. OUWB’s Kaleidoscope Project aims to promote inclusivity among all realms of medical education - from the classroom to patient care. Then the simple LEDs will be replaced by WS2812B, an LED-Matrix or an oled screen.More than 100 signed up in less than a week for a new student-led project that celebrates and supports people from Oakland University William Beaumont School of Medicine’s LGBTQ+ community. But I will develop the idea further, and I have some ideas.įirst, the Kaleidoscope will be equipped with a microcontroller and a rechargeable battery. This one was my first attempt to test the concept. It was painted with acrylic paint and ornaments were glued on it and a 2000 carat diamond to raise the value a bit. Here are some photos of the finished LED-Kaleidoscope. Now just solder the LED’s and assemble the whole thing with 20mm M2.5 screws. The switch is simply connected in series. The plus pole of the battery is at the bottom.Then solder the wires to the two copper foils. The micro switch and the CR2032 battery are installed as shown in the photo. As this is my prototype, I am testing different combinations. In my photo you can see more bulbs, but they are not all wired. These LEDs are designed for 3 volts, so the CR2032 is perfect. However, a maximum of 3 can be connected in parallel. Now you can install the flashing, colour-changing or flickering LEDs. now they are less bright and more diffuse. Pay attention to the direction of rotation.Ī CR2032 can handle up to 3 LEDs. Now glue the part with the 20mm hole onto the part with the L-shaped copper strip. On the wooden part with the smaller copper surface, the copper strip must be slightly longer towards the top, as it is passed through the slot and then folded over. (I added some solder afterwards to improve the contact). A small square part was glued on first to create a small elevation so that the contact with the battery is better. Now you have to cut the copper foil so that it fits there. Markings were burned into the wooden parts. So it works like sunglasses :).Īttach the whole thing to part no 2 with 10mm M2.5 screws. I decided to use black coloured transparent plexiglass, as the LEDs are quite bright. Now for the optical part, where you look inside. Then put some tape or rubber rings around the finished part and let the glue dry. Then the ones without cut-outs, each in between the others. Here I first glue the long parts with the cut-outs, as shown in the photo. 1 as shown in the photo, with part C with the brackets all the way out. Unfortunately I forgot to take pictures of parts C and D, so I only have the 2D drawing. 1, which is the holder for the LEDs, black. This is then glued to the other end of the mirror. The 3 mirror parts are pushed through part 3+4 and form the typical triangle. Glue part no. I have added numbers and letters to the photos, hopefully you understand what I am talking about :). The Inside Assemblyįirst, glue the mirror strips to the 3 centre pieces, using two-sided glue. The main housing is made of 4mm plywood from the DIY store and the A4 plastic mirror is from a craft shop. The DXF-file can be downloaded from here: Cutting the PartsĪs already mentioned, I use a laser cutter to create the parts. This file is then processed in Inkskape so that my laser cutter understands it. Reality will show whether it really works.įor the 3D design I still use the good old Google Sketchup 8. This helps me to make sure that everything fits together right from the start.
Amistad Research Center 1999-2001ĭirector and Curator of the Department of Visual Arts Also organized, with the Director and Associate Director of RAP and other Departmental staff, the Clark’s residential fellowship program and academic events (conferences, workshops, symposia, invitational colloquia and lectures). Mellon Foundation-funded initiatives of the Research and Academic Program (RAP) Department at the Clark Institute, served principal role in developing two projects: a workshop entitled Contemporary African Art: History, Theory and Practice, and a conference entitled Art History and Diaspora: Genealogies, Theories and Practices. The Sterling and Francine Clark Art Institute 2005-2007Īssistant Director for Mellon InitiativesĪs part of the Andrew W. Served as Guest Curator of the exhibition entitled A Celebration of Faith: Henriette Delille and the Sisters of the Holy Family, an examination of the 1842 establishment in New Orleans of the second oldest Catholic religious order for women of color in the United States and charted their ongoing charitable endeavors. New Orleans African American Museum of Art, Culture and History (NOAAM) 2008 My responsibilities included Development and fundraising in collaboration with the Museum Board (including management of a Capital Campaign, with development of a successful March 2014 Gala), curatorial programming, collections management, strategic planning (marked by active Museum Accreditation efforts) and other initiatives. Established in 1991, the Museum’s mission involves the preservation and interpretation of African American cultural heritage in New Orleans, with a particular emphasis on the Tremé community. Served as Executive Director of the Museum, located in the historic faubourg of Tremé in New Orleans. New Orleans African American Museum of Art, Culture and History (NOAAM) 2013-2014 I’m disappointed because I held out playing this game until the PS4 Pro was released. While everything may be a little more pretty, it’s not enough to blow even the most simplest of minds. I can tell you that Mankind Divided looks marginally better than Human Revolution did on my PC. I played it when it came to consoles, and again when I built my custom PC in 2011. Understand that I loved Human Revolution. But it’s been out two years already and, let’s be honest, it’s not exactly the cream of the crop and once you’ve played it once, is it really worth going back in and slogging through it just to see it look a little nicer? No. The purple neon lights and battle effects pop from the screen and the textures are really solid, just as they were when it first released. This game looks great on the PS4 Pro, but in fairness it looked great when it came out. Again, unlocking a resolution choice is not that mind-blowing console gamers are getting just what PC games have had for years. However, a few crisper lines and updated colors is not enough to get me to slay all those bosses all over again. Playing this game on the Pro is a simple waste. At this point, the game has been out so long, lock me in at 60 FPS or don’t even give me the option. The textures of last gen with a fresh coat of 4K paint, and while the game does allow you to switch to a locked-in 30 FPS, I didn’t really like how it looked, no. The game looks about as good as a remaster could look after given its second “upgrade”. I tested this on a top-of-the-range 4K TV, too, and against the regular PS4 on a 1080 TV, it’s just not worth the hoo-lah. While the graphics are crisper with a clearer image and the lighting effects look better, this isn’t going to blow people away. For those that have it still looks great, but the real question is whether the PS4 Pro version of the game is worth an investment of over $1000. If you’ve been a PS4 owner for any amount of time and still haven’t played this game, bookmark this article, go and get Uncharted 4, then come back. Here is my rundown of the game’s I’ve tested with the PS4 Pro so far, though I’ll be trying out more at a later date: I have however played through games that have been updated for the “Diet” 4K revolution. One side note, I don’t have a Playstation VR, but my colleagues will publish a review of the differences with the Pro sometime next week. Some will let you prioritize smoothness of gameplay over resolution, and some will just push the higher 4K spec. The games that I’ve sampled and played that have been updated for the new hardware take different approaches. Options to choose the bells and whistles or take a steadier frame rate. As a former PC gamer, I’m used to games giving me options. The success of the mid-generation upgrade will depend greatly on the game publishers and how much freedom they choose to give you. The hardware bonuses aside, the USB port on the back and the SATA 3 are nice additions to the console’s frame, but then again, shouldn’t these have already been standard features in the base PS4? And let’s not even talk about the lack of external hard drive support which is still missing. The real question that most people will want an answer to is whether the PS4 Pro is worth trading away the old console/stumping up the cash for a new, more expensive one. Games will be patched like they always have. I’m not here to nitpick a frame per second, I’m here for the overall experience. I know there are reports of them running slower, but I can’t personally tell when it’s just a couple of frames here and there. The PS4 Pro isn’t a bad console by any means: The graphics are crisper, the games, as far as I can personally see, run as smooth or smoother than on the base PS4 console. But at this very moment in time, this system is not a must-buy. Sure I’m dumbing it down a little, I know a lot goes into these games and obviously in the coming months when studios have the ability to build a game utilizing the PS4 Pro, they should theoretically be much better. Staring at my 65 Inch Samsung 4K television as Uncharted 4 roared into action, I sat in disbelief as I came to the realization I had just spent a whole lot of money on some crisper lines and better lighting. As the other two are still beavering away at getting their words in a row, here’s Brian’s take on the PS4 Pro. Pure PlayStation is going to be doing something of a double – nay – triple PS4 Pro review one from Brian and why he thinks the mid-generation refresh isn’t worth getting too excited about Jat who sees the console as a splendor, a true treat for the eyes and Chris who will be looking at the console purely from a PSVR user’s perspective. They popularise specialised lexis and concepts, suggesting that English for Police Purposes is indeed a specialised variety of English, but they also open a window into the specialised nature of the law enforcement community.ģIn order to investigate English for Police Purposes, I have chosen to focus on a corpus composed of five main publications: The Oxford Dictionary of Law Enforcement (Gooch & Williams 2007), the Dictionary of Policing (Newburn & Neyroud 2008), The SAGE Dictionary of Policing (Wakefield & Fleming 2009), the “Online Glossary of Police Terms: A Guide to Commonly Used Police Terms and Their Definitions” (Strategic Services Bureau of the Metropolitan Police Washington D.C. These publications shed light on the necessity to make specialised terms and concepts accessible to non-specialists, revealing the underlying need to bridge the gap between specialised and general languages (Charpy 2011: 26 Van der Yeught 2012: 17). Dictionaries, glossaries and encyclopaedias are interesting entry points in the process of characterising this specialised language, since they provide access to its lexical specificities. research work, which intends to show that English for Police Purposes may be approached as a specialised variety of English (SVE), with linguistic, disciplinary and cultural specificities which deserve to be investigated and characterised. These authors have analysed police discourse within the specific professional contexts of police interviews and interrogations (Watson 1983 Jönsson & Linell 1991 Edwards 2006 Haworth 2006 Benneworth 2009 Haworth 2009 Holt & Johnson 2010 MacLeod 2010 Gaines 2011), written police reports (Jönsson & Linell 1991) and police calls (Tracy & Anderson 1999).ĢThis paper draws on our current Ph.D. Indeed, only a few authors have focused on language specialisation in relation to policing. Although interest for police studies has widened – comparative and international studies have also been published (Newburn 2003, 2004) – authors have rarely addressed the linguistic aspect of police work and communities. Numerous studies have been published since the 1970s, dealing with the institutional, cultural, social or historical dimensions of the police in the United Kingdom (Brown & Howes 1975 Shpayer-Makov 1990 Young 1991 Cowley 2011) and in the United States (Walker 1977 Bechtel 1995 Reppetto 2010 & 2012 Barrie & Broomhall 2012). In the 1970s, “federal research investments and a growing acceptance of police and criminal justice studies at major universities” (Greene 2007: xxv) favoured the development of research on policing and law enforcement both in the UK and the USA. De nombreux éléments pris en compte lors de la compilation, comme le profil du lectorat ciblé ou la nécessité de refléter les évolutions institutionnelles, sont également analysés.ġBefore the 1970s, British researchers – such as Charles Reith (1956), Michael Banton (1964), or Thomas Critchley (1967) – published major pioneering studies focusing on policing in England, Wales and Scotland. Elle propose également d’analyser le rôle joué par les auteurs ayant contribué à la compilation de ces publications ainsi que leurs motivations, souvent explicitées dans les sections introductives. Cette étude vise à décrire le contenu d’une sélection de cinq dictionnaires, glossaires et encyclopédies spécialisés. La dictionnarisation n’est pas le seul critère attestant une spécialisation cependant, ces ouvrages offrent d’intéressantes voies d’accès à la langue et à la communauté spécialisées. La publication en anglais de dictionnaires, glossaires et encyclopédies de la police apporte un éclairage précieux sur l’existence de cette langue de spécialité, mais souligne également la nécessité de rendre les termes et concepts spécialisés accessibles aux non-spécialistes. Cet article explore une variété spécialisée de l’anglais jusqu’alors peu étudiée : l’anglais de la police. If these solutions won't work for you, just try third-party software like YouTube downloader for Mac. Or else, go do something else after you press pause and resume playback afterwards. To tackle the issue, you can just try another source/torrent, look for high numbers of peers. Movie won't start or playback is stuttering: Popcorn Time helps to download files on your Mac with the aid of Bittorrent protocol while playing them at the same time, which means you can download the popular contents at high speeds for smooth playback but have to be patient in case you stumble upon some virtually unknown stuff, leading to annoying choppy playback on your Mac or no sound issue. The app provides us an unbounded movie journey but is still far from perfect, with outpouring Popcorn Time not working complaints grumbled by Mac users, typically as follows: Popcorn Time stutters on Mac Step 4: Click play and enjoy the movie or TV show.ĭownload Popcorn Time on iPhone iPad without Jailbreak Part 2: FAQs about Popcorn Time and Workaround Step 3: Select video quality (720p or 1080p) and choose subtitles for the movie. Step 2: Open the downloaded app and select a movie or episode of any genre, from Sci-fi movies to animated flicks. After you get the dmg file on your Mac computer, install it. Step 1: Visit its official page, go straight forward its Mac edition and hit the download button. Part 1: Guidance to Free Download Popcorn Time for Mac to Watch Moviesīefore the guidance of downloading Popcorn Time Mac version, you need to bear in mind that the official site indicates it is only available for Mac OS X 10.7 and above, that means if you are running on Snow Leopard or earlier Mac, installation will be a failure.
Correct Line UsageĪs you can see, depending on the character and/or the positioning of lines, they can indicate different things. Changing the weight or character of each line within a group can help to create rhythm or movement. Placing lines in close proximity to each other can indicate a group or unit working together. Line Weightĭifferences in line weight can indicate several meanings such as thin lines represent speed energy or lightness while bold lines will appear sluggish, heavy or stable. The same goes for zigzags as for waves, the bigger the magnitude the more dynamic they will appear. ZigzagsĪ zigzag can represent several things including health (heart monitor), mountains, hills or uneven surfaces. Again, the eye will flow from left to right just as it does with a horizontal line. A wave with a smaller magnitude will appear calmer compared to a bigger wave which will be more dynamic. Curves or WavesĬurves and waves can be used to indicate water or air movements such as sound waves. An arc on its side will give the impression of instability as it can appear as though it’s falling backwards. Flip it around so it’s sitting on its curve and you will indicate a vessel that can contain items such as liquids or thoughts. Placing an arc horizontally on its two points will evoke the feeling of calm or passive. ArcsĪrcs can express various meanings depending on their positioning. Also, they can lead the eye in all directions depending on their position within a design. Diagonal Linesĭiagonal lines are much more dynamic than both horizontal and vertical lines, can suggest high energy, incline and decline (movement up or down). Vertical lines can suggest an upward movement, are more dynamic than horizontal lines and can also indicate division between elements. However, our eye will travel in the same direction as an arrowhead added to the end of a line, which in turn, can lead the eye from right to left. Due to our reading pattern of left to right, our eye tends to travel along a line in the same direction, which is something to consider when trying to lead the eye within a design. Furthermore, they can reflect the horizon and suggest division. Horizontal lines have a calming effect and can express stability. Lines can come in many forms including straight, diagonal, thick, thin, dotted, curved-I’m sure you can think of many more! The trick is to ensure that you use line in a way that communicates a message, which is relative to the topic and does not express an underlying meaning that could be detrimental to the product or service featured within the design. You can use line to express meaning, evoke an emotional response, create division and to organise content. What is Line?Ī line is simply a mark that is connecting any two points. During this seven part series I will outline each element, provide advice on how to include them into your own designs and showcase examples of how they have been applied to various designs. Furthermore, you should aim to include at least one (if not more) of these elements when creating a design. It is widely accepted that there are seven elements of design, which include line, shape, space, texture, value, size/scale and colour. Share In order for a graphic design to communicate its message in a clear and concise manner, many factors need to be considered including using the elements of design. |
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